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・ Hilbert's arithmetic of ends
・ Hilbert's axioms
・ Hilbert's basis theorem
・ Hilbert's eighteenth problem
・ Hilbert's eighth problem
・ Hilbert's eleventh problem
・ Hilbert's fifteenth problem
・ Hilbert's fifth problem
・ Hilbert's fourteenth problem
・ Hilbert's fourth problem
・ Hilbert's inequality
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・ Hilbert's lemma
・ Hilary Koprowski Prize in Neurovirology
・ Hilary Kornblith
Hilary Krzysztofiak
・ Hilary Landsberg
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・ Hilary Lawson
・ Hilary Leith
・ Hilary Liftin
・ Hilary Lindh
・ Hilary Lister
・ Hilary Little
・ Hilary Lloyd
・ Hilary Lofting
・ Hilary Lunke
・ Hilary Mahaney
・ Hilary Mantel


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Hilary Krzysztofiak : ウィキペディア英語版
Hilary Krzysztofiak

Hilary Krzysztofiak (born 28 October 1926 in Szopienice, now a part of Katowice, died 30 September 1979 in Falls Church, Virginia near Washington) was a Polish painter, graphic artist and set designer.
==Young years and education==
Hilary was a son of Jan Krzysztofiak and Maria née Helwig (killed in 1942 at Auschwitz concentration camp). During World War II, he worked in the Uthemann’s steelworks in Szopienice as an apprentice carpenter and as a student for 3 years of evening school (Abendschule für Bildende Künste), finishing in 1943. After the war he left for Warsaw where in 1945-1946 he went to art college. From January 1946, he worked as an extra in the Polish Theatre (Teatr Polski) in the first post-war production of Juliusz Słowacki’s ''Lilla Weneda''. In the same year, he produced his first theatre decorations for the production of ''The Story of Doctor Dolittle'' in the Puppet Theatre in Warsaw.

In September 1946, he was accepted in the State School of Fine Arts (later: Academy of Fine Arts) where he studied block design, architectural painting, studies of nature, decorative and wall painting, technology, painting and conceptual design. As a student he worked for The Academic Theatre. In 1950-1951, Krzysztofiak started to co-operate with the literary-political magazine ''Po prostu'' where he published (among others) articles written with Lech Emfazy Stefański ("New Way of Visual Arts", 1950, no. 13, and "Talks of Realism on Visual Arts", 1950, no 3), criticized later at the Congress of Young Activists from Schools of Fine Arts. In spring 1951 he abandoned studies at the Academy in the course of working on his diploma (picture "Waryński before the Jury").

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